“Doctor Strange in the Multiverse of Madness” is more proof positive that it is possible for theaters to draw in audiences, even as most movies struggle to re-capture pre-Covid numbers. Still, Sam Raimi’s gleefully sinister take on Scarlet Witch (Elizabeth Olsen) doesn’t seem to be getting the same worth-of-mouth boost as movies like “Spider-Man: No Way Home.”
“Doctor Strange in the Multiverse of Madness” reportedly made $185 million domestically in its first weekend, making its projected drop of as much as 68% (per Deadline) one of the more precipitous second week declines in Marvel Cinematic Universe history. Still, the film’ estimated global gross of $600 million by weekend’s end is nothing to sneeze about.
The rest of the weekend’s offerings didn’t make a major splash when up against Marvel’s might. Family films “The Bad Guys” and “Sonic the Hedgehog 2” took second and third place at the box office, while the Daniels’ multiverse epic “Everything Everywhere All At Once” managed to keep its spot at number five. The A24 offering has become this spring’s little movie that could, garnering nearly universal adoration among critics (the film holds a 96% Rotten Tomatoes score) and continuing on its track to become the highest-grossing movie ever for the independent distributor.
Pending any upsets, “Doctor Strange in the Multiverse of Madness” will likely still hold strong next weekend, as the period sequel “Downton Abbey: A New Era” and the A24 thriller “Men” are the only two films entering wide release.